Amps For Metal

The Mesa Boogie Dual Rectifier has been redesigned to be even more flexible while keeping the character that made the original a legend. Mesa compared it closely with earlier 3‑channel and classic 2‑channel versions to preserve every nuance players love. The updated model adds a Multiwatt circuit that lets you choose 100 or 50 watts per channel, plus selectable tube or diode rectification to change the feel of each channel. The amp now uses an improved serial effects loop, along with a compact footswitch that includes mute, loop, solo, and channel controls. Channel 1’s Clean and Pushed modes offer more headroom and tighter response, while Channels 2 and 3 have been refined for better balance across all modes. Since its debut in 1991, the Rectifier series has defined the sound of modern heavy music, and this version continues that legacy with more control and versatility than ever.

The Peavey 6505 II carries forward the brand’s legendary high‑gain heritage with expanded control and modern flexibility. Building on the original 6505’s brutal two‑channel design, this 120‑watt all‑tube head adds independent EQ, Resonance, and Presence controls for each channel, giving players far deeper command over their tone and feel. Six 12AX7 preamp tubes and four 6L6GC power tubes deliver the crushing saturation, tight low end, and endless sustain that define the 6505 sound. A redesigned 3‑button footswitch provides hands‑free access to channel switching, the Crunch mode, and the effects loop, making it easy to unleash extra gain on the fly. Compatible with 4‑, 8‑, and 16‑ohm cabinets, the 6505 II stands as the stalwart of the series, perfect for studio precision, stage volume, and unmistakable Peavey aggression.

The ENGL Savage 120 E-610 MKII pushes the classic Savage series even further, adding modern features while keeping the aggressive tone players expect. This 120‑watt all‑tube head offers four channels, Clean, Crunch 1, Crunch 2, and Lead, covering everything from precise cleans to crushing high‑gain sounds. Dual midrange controls and updated Lean/Bold voicings give you wide tonal flexibility, while two tube‑buffered effects loops with blend controls make complex pedal setups easy. A refined noise gate keeps high‑gain tones tight, and a Lo/Hi input switch works well with any guitar. MIDI In/Thru ports allow full control of front‑panel functions, and the line output connects directly to IR cab emulators or recording gear. Multiple power amp outputs support a wide range of speaker cabinet setups.

The Marshall JCM800 2203 is a vintage reissue that brings back one of the most iconic rock amps ever made. This 100‑watt head uses three ECC83 preamp tubes and four EL34 power tubes, staying true to the original design with a simple 3‑band EQ and a master volume, nothing extra, just pure tone. The updated model keeps the classic sound but avoids the big tonal differences that older units sometimes had due to loose manufacturing tolerances. First released in 1981, the JCM800 series became famous for its tight, British‑style crunch that shaped heavier rock for decades. The 2203 remains the most desired version, offering a single channel with strong dynamics, straightforward controls, and the unmistakable Marshall overdrive players still love.

The Soldano SLO 100 remains one of the most iconic high‑gain amplifiers ever created, and the latest SLO‑100 carries that legacy forward with modern refinements while preserving its unmistakable voice. Hand‑wired in the USA with premium components, this 100‑watt all‑tube head delivers the legendary sustain, harmonic richness, and tight response that reshaped rock guitar tone in the late ’80s. The Normal channel offers crystal‑clear cleans and bluesy crunch via Bright and Crunch switches, while the Overdrive channel provides the thick, articulate saturation that made the SLO a favorite of players from Eric Clapton to Mick Mars. Updated features include a tube‑buffered FX loop with level control, a quieter DC heater circuit, custom transformers, a new Depth control, and a versatile Slave output for direct recording or IR use. Built for a lifetime of performance, the SLO‑100 remains a benchmark for modern tube amplification.

The ENGL Fireball 100 is a no‑nonsense, high‑gain powerhouse built for players who want crushing tone with zero compromise. Its quartet of 6L6GC power tubes delivers a tight, aggressive 100‑watt roar, while four 12AX7s fuel both channels with warmth, clarity, and ferocious saturation. The Clean channel offers shimmering sparkle and light crunch, but the Lead channel is where the Fireball truly earns its name, delivering razor‑sharp chug, searing sustain, and metal‑ready intensity. A built‑in noise gate keeps ultra‑high‑gain tones controlled, and tone shaping is effortless thanks to a 3‑band EQ plus Bright, Bottom, and Mid Boost switches and a Presence control. With a buffered FX loop for pristine effects integration, the Fireball 100 is primed for brutal riffs, blistering leads, and stage‑melting volume.

The EVH 5150III 50S 6L6 Head may be compact, but it delivers the explosive power and precision you’d expect from an amp refined with Eddie Van Halen’s direct input. Seven 12AX7 preamp tubes and a 50‑watt 6L6 power section supply massive headroom, searing gain, and the unmistakable 5150 attitude. Three updated channels provide everything from shimmering cleans to tight crunch and blistering lead tones, with dual‑concentric Gain and Volume controls on Channels 1 and 2 for true independence. Shared and independent EQ sections, plus Presence and Resonance controls, make fine‑tuning effortless. With an FX loop, headphone jack, selectable impedance, rear‑panel bias ports, and a 4‑button footswitch with MIDI capability, the 50S 6L6 is a powerful, flexible, stage‑ready tone machine.

The Mesa/Boogie Mark VII stands as the pinnacle of Randall Smith’s five decades of amp innovation, delivering the most comprehensive and refined Mark‑series experience to date. Its three channels, each with three selectable modes, including two new voices, cover the entire lineage of classic Boogie tones, from pristine cleans to iconic Mark crunch and cutting‑edge modern high gain. Independent controls for Gain, Treble, Mid, Bass, Presence, and Master on every channel, plus the legendary 5‑band EQ, offer deep tonal precision. Multi‑Watt switching and the Simul‑Class power section provide three distinct characters across multiple wattage ranges. With a built‑in CabClone IR, serial effects loop, onboard reverb, MIDI switching, and a 6‑button footswitch, the Mark VII is a fully loaded flagship built for stage, studio, and tone connoisseurs alike.

The Diezel VH4 is a 100‑watt high‑gain amp head that still stands out in a crowded market. It was built to be extremely flexible, offering four fully independent channels that move from clean and bright to very aggressive distortion. This range, along with multiple effects loops and MIDI switching, helped the VH4 earn its iconic status. Diezel amps quickly became favorites of major players like Adam Jones, Neal Schon, and James Hetfield, and the brand has continued to grow. Each VH4 channel has its own voice, but the third channel is especially famous for its tight low end, clear gain, and great response. You can also shape each channel with its own insert and save setups through MIDI for easy recall.

The Bogner Uberschall MK2 100 pushes ultra‑high‑gain performance to its absolute limit, delivering 100 watts of all‑tube power and up to seven stages of ferocious cascading gain. This dual‑channel monster offers three modes per channel, covering everything from pristine cleans to tight crunch and full‑bore modern metal aggression. Channel 2 ups the ante with a three‑position voicing switch, Doom, Focused, and Bright, plus the Metamorph control for dialing in the perfect level of tightness and attack. The power section adds even more shaping with global Presence, Depth, and Density controls, giving you command over every nuance of your sound. A 4‑button footswitch provides hands‑free access to channel switching, Gain Boost, a second Master Volume, and the FX loop, making the Uberschall Mk2 a brutally versatile high‑gain flagship.

The Mesa Boogie JP‑2C is a John Petrucci signature head built around three fully independent channels, each offering classic Mark IIC+ character. Channel 1 delivers the Mark IIC+ Clean voice with its own Gain, Treble, Bass, Presence, Master, Mid/Boost control, and selectable access to either of the two 5‑band graphic EQs. Channels 2 and 3 provide the famous Mark IIC+ Lead or Shred modes, each with independent Gain, Treble, Middle, Bass, Presence, Master, and pull functions for Gain Boost and Frequency Shift. The amp includes two assignable 5‑band EQs, tube‑driven spring reverb, a tube‑buffered effects loop, and a built‑in CabClone with multiple speaker simulations. Full MIDI control with 256 presets lets you store and recall channels, EQs, Shred mode, reverb, and the loop with ease.

The ENGL Powerball II E645II is built for players who want pure, modern metal tone without compromise. This 100‑watt tube head offers four channels that cover everything from clean and glassy sounds to tight crunch and extreme high‑gain distortion. Each channel has its own Gain and Volume controls, giving you detailed control over your sound. The Clean and Crunch channels share a 3‑band EQ with extra Bright and Bottom switches, while the two Lead channels share their own EQ and include Middle Boosted and Bottom options for extra punch. Global Presence and Depth Punch knobs shape the power section, and dual Master controls make solo boosts simple. A tube‑buffered FX loop, built‑in noise gate, Power Tube Monitor, and Serial Amp Control round out a feature set designed for serious metal players.

The Diezel Herbert is a powerful 180‑watt head built for players who want massive range and precision. It features three fully independent channels, each with its own EQ, and Channel 2 includes two modes to broaden the tonal palette. Designed from the ground up, the Herbert was created to deliver shimmering cleans, tight and focused crunch, and soaring high‑gain tones straight from the default settings. It also offers convenient patch storage, plus two series effects loops, one switchable for adding an external preamp and one fixed for your favorite effects. MIDI control makes it easy to set up muted tuning patches or manage complex rigs. With huge headroom, refined cleans, and ferocious distortion, the Herbert stands out as one of the most versatile and commanding amps available.

The EVH 5150 Iconic Series 80W Head delivers the unmistakable power, punch, and attitude of classic EVH tube tone in a more accessible package. Designed by legendary amp engineer James Brown, it pairs four 6L6 power tubes with a multi‑stage hybrid preamp driven by ECC83s for searing gain, tight response, and rich harmonic detail. Two channels each offer an additional voicing: the Green channel’s Overdrive button moves from sparkling cleans to gritty breakup, while the Red channel’s Burn mode unleashes aggressive, lead‑ready crunch. Independent Gain and Volume controls, a fast‑tracking noise gate, footswitchable Boost, shared EQ, and global Presence, Resonance, and Reverb provide extensive shaping. With an FX loop, ¼‑power switch, speaker‑emulated DI, and bold EVH styling, the Iconic 80W Head is built for stage, studio, and everything in between.

The Orange Rockerverb 100 MKIII stands as the powerhouse flagship of the Orange lineup, built for players who demand massive headroom, rich depth, and commanding authority. This all‑valve 100‑watt head expands on the MKIII platform with even greater flexibility, offering twin independent channels with dedicated EQ for everything from sparkling cleans to thick, saturated high‑gain. Switchable output power (100/70/50/30 watts) and a footswitchable attenuator let you achieve power‑amp saturation at any volume, making it equally at home on arena stages or in the studio. A lush, valve‑driven spring reverb adds classic ambience, fully footswitchable for instant control. Brutally loud when pushed and impressively nuanced when restrained, the Rockerverb 100 MKIII delivers the unmistakable authority and versatility that touring professionals rely on.

The Revv Generator 100P MKIII is built for players who want a powerful, modern high‑gain amp with tons of control. This 120‑watt tube head offers three revoiced channels: a tight, aggressive Purple channel, a clean and open Blue channel, and a punchy Green crunch channel. Each one has its own 3‑band EQ, Bright switch, and extra shaping tools like Cut or Fat options. Global Presence, Depth, Wide, Drive, and Aggression switches let you fine‑tune the overall feel. You also get power scaling, a serial effects loop, digital reverb, a noise gate, and full Bluetooth and MIDI control. The built‑in Two Notes reactive load and cab sim provide stereo XLR outs, virtual cabinets, and silent operation. Patch mode, easy bias access, and an included footswitch round out this feature‑packed metal machine.

The Meshuggah BLACKOUT 50W features a fully blacked‑out finish and a revised selection of NOS components. Originally developed in 2016 for Fredrik Thordendal and Mårten Hagström ahead of "The Violent Sleep of Reason" tour, it was designed to capture both the crushing tones of the new album and the classic sounds from earlier eras. This hand‑wired, point‑to‑point single‑channel head delivers brutal tightness, aggressive attack, and surprising clarity, thanks in part to its carefully chosen NOS parts. Dual gain controls and a pull‑gain MVC provide precise control over massive saturation. With its vintage‑inspired British styling, NOS Dialight display, compact boxhead chassis, and sleek black aesthetic, the Meshuggah Signature amp is built to reignite inspiration for extreme‑metal players.

The PRS MT 15 is a compact, two‑channel powerhouse that delivers far more punch than its size suggests, offering aggressive rhythm tones and soaring leads from a single, versatile head. Designed with high‑gain players in mind but refined for all genres, it features five gain stages before the Master for thick, saturated distortion with exceptional clarity. The Lead channel dishes out tight, chunky low end and articulate note definition, with a push/pull control that shifts into vintage‑style mid‑gain crunch. The Clean channel is bright and chimey, with its own push/pull boost for classic breakup. An effects loop, accessible bias points, and a 15/7‑watt switch add real‑world flexibility. With its huge sound and smart features, the MT 15 stands tall as a true lunchbox titan.

The Friedman BE‑100 Deluxe takes Dave Friedman’s revered BE circuit and elevates it into a truly flagship 100‑watt head. Building on the legacy of the original BE‑100, this Deluxe version offers independent BE and HBE overdrive channels, each with its own Gain and Master controls, giving you an enormous range of high‑gain crunch, clarity, and nuance. A brand‑new clean channel inspired by the Smallbox Plexi delivers everything from sparkling cleans to classic Plexi grit, shaped by its dedicated Gain, Volume, and 3‑band EQ. The flexible master section lets you fine‑tune the amp’s overall character with Presence, Frequency, Response, and Thump controls, tailoring the power section to your exact feel. Add in one of the most transparent effects loops in the business, and the BE‑100 Deluxe stands as a world‑class, endlessly versatile boutique powerhouse.

The Peavey invective.120 is a feature‑packed, modern high‑gain flagship designed in collaboration with Misha Mansoor to deliver unmatched versatility on stage or in the studio. Its three fully switchable channels, Clean, Crunch, and Lead, cover everything from pristine pedal‑platform clarity to tight, aggressive metal tones, with independent Pre and Post Gain controls on the gain channels for precise shaping. Six gain‑matched 12AX7s and four 6L6GC power tubes provide massive headroom and crushing saturation, while onboard Boost circuits, a fast‑attack noise gate, and MIDI‑enabled switching expand creative control. The MSDI direct interface offers silent recording or FOH feeds, and the rear panel includes dual effects loops, a half‑power switch, and auxiliary pedal‑power outputs. With nine footswitchable presets and deep tone‑sculpting tools, the invective.120 is built for players who demand total command of their sound.

The Randall Diavlo RD100H is a full‑throttle, all‑tube head built for players who want raw power and aggressive tone. Its 3‑channel design pairs a 12AX7‑driven preamp with a quartet of 6L6 power tubes to deliver 100 watts of punch, from clean foundation tones to crushing high‑gain distortion. A 3‑band EQ with presence control lets you shape your sound precisely, while the Tube Boost switch unleashes even more saturation for players who crave extra bite. The RD100H also includes a serial effects loop for integrating pedals or rack gear between the preamp and power section. With its included footswitch and straightforward layout, the Diavlo RD100H is a no‑nonsense metal machine built to hit hard and stay tight.

The Fortin Evil Pumpkin is the result of years of collaboration between Mike Fortin and Jason Frankhouser, built to sit at the cutting edge of modern heavy music. This 100‑watt, three‑channel tube head delivers massive headroom, with two highly adjustable gain channels that move from tight, articulate rhythm tones to smooth, expressive leads. The clean channel provides shimmering, American‑style clarity with plenty of space for pedals. Full MIDI control (including phantom power over a 7‑pin cable) adds deep flexibility. In standby mode, the power tubes can be bypassed so the FX send feeds your interface directly, turning the amp into a powerful studio tool. A series FX loop, buffered tuner output, and three isolated 9VDC pedal‑power outputs round out this exceptionally versatile high‑gain machine.

The M ZERO Overdrive is a two‑channel powerhouse designed for players who want uncompromising tone. Channel One delivers the same bold, dynamic clean and crunch tones as the original M ZERO, offering sparkling clarity and exceptional pedalboard response. Channel Two unleashes one of the richest all‑tube overdrives available, moving from tight, powerful crunch to harmonically saturated distortion with remarkable body and definition. Four total voices (Clean, Boost, Extra Boost, and Overdrive) make the amp incredibly versatile, with Boost, Bright, and footswitchable Extra Boost options for shaping the drive channel. Built by Pierangelo Mezzabarba in Italy, it features custom Onori transformers, a full tube FX loop, 5×12AX7 preamp tubes, EL34 power tubes, and 100 watts of pure, responsive tube power.

The Rivera KR7 Mick Thomson signature head is built for players who want crushing high‑gain tones with precision and clarity. This all‑tube, three‑channel amp moves from shimmering cleans to ultra‑heavy distortion, shaped with input from Slipknot’s Mick Thomson. A subwoofer output adds huge low‑end impact, while the Focus control lets you tighten or loosen the speaker response. Channels two and three feature a Scoop switch for thicker lead tones, and a pull Bright switch adds bite to humbuckers. Selectable wattage settings (15, 30, 60, or 120 watts) make it easy to get the sound you want at any volume. The KR7 also includes a line‑level recording output, a flexible effects loop, and the Headmaster MIDI pedal for full control of channels, boosts, reverb, and the loop.

Handbuilt in the UK, the Laney Black Country Customs Ironheart IRT120H is a powerful 120‑watt tube amp designed for players who want modern high‑gain tones with real clarity. It offers three channels, clean, rhythm, and lead, each supported by updated gain circuitry that keeps the sound tight and focused. A footswitchable pre‑boost adds extra punch, while the 3‑band EQ gives you plenty of room to shape your tone. The amp also includes a built‑in wattage attenuator and multiple DI options, making it great for home practice, studio work, and live setups. You can choose between 6L6 or EL34 power tubes, and the effects loop includes level switching. It even comes with an Ironheart plug‑in for matching tones inside your DAW.

The Marshall JVM410H is a 100‑watt powerhouse built on the same valve‑driven foundation that gave the JCM800 2203 and Plexi Super Lead their legendary roar. With four EL34s and four fully independent channels, each offering green, orange, and red modes, the JVM delivers 12 unique all‑valve voices, everything from pristine cleans to the highest‑gain tones Marshall has ever produced. Clean, Crunch, OD1, and OD2 each cover classic and modern sounds, while dedicated gain, EQ, volume, and reverb controls keep the layout intuitive. Dual master volumes, presence, and resonance add global shaping. The JVM also features silent, seamless switching with full memory recall, a programmable 6‑button footswitch, MIDI integration, two FX loops, studio‑quality reverb, and an emulated XLR out for silent recording. Built in England with Marshall’s trademark craftsmanship, it’s a flexible, road‑ready flagship amp.

The VX100 Super Kraken takes the original Compact Series VX The Kraken and expands it into a far more powerful amp, developed in collaboration with Rabea Massaad. Its 100 watts of 6L6 power deliver huge headroom and authority, while still offering the familiar Brit‑voiced Gain I channel and the heavy, US‑style punch of Gain II. This version adds a fully footswitchable clean mode and a Preamp Focus feature that tightens and energizes any channel. A preset Bass Focus option shapes the low end in the power section, and dual master volumes can be assigned and switched on the fly. You also get a footswitchable FX loop, a 30‑watt low‑power mode, and full MIDI capability, making the Super Kraken a flexible and formidable modern amp head.

The Mesa/Boogie Triple Crown TC‑100 carries the brand’s long legacy of rock‑ready tube amps with a 100‑watt head built for everything from crisp American‑style cleans to tight, high‑gain firepower. Its three channels are simple but extremely flexible: Channel One offers Normal and Drive modes for sparkling clean tones or vintage breakup, while Channels Two and Three each include Normal and Tight modes to shape mid‑gain crunch or classic Mesa high‑gain. Every channel features Multi‑Soak attenuation with 3‑, 7‑, 20‑, 50‑, and 100‑watt settings, switchable from the 6‑button footswitch. A built‑in CabClone provides realistic speaker‑simulated outputs for recording, silent practice, or controlled stage volume. The TC‑100 also includes spring reverb, a tube‑buffered effects loop, EL34 power tubes with selectable bias for 6V6 or 6L6 operation, and full MIDI integration.

The Friedman JJ Junior brings the dark, muscular voice of the legendary JJ‑100 into a compact, 20‑watt format designed around Jerry Cantrell’s unmistakable tone. This dual‑channel EL84‑powered head delivers the punch, sustain, and chewy midrange of a modded British amp, but without the harsh top end, perfect for everything from brooding Alice in Chains riffs to tight modern rock and metal. The JBE switch adds extra gain, compression, and saturation, while Bright and Presence controls help you fine‑tune your edge. Handbuilt with premium components and custom transformers, the JJ Junior also includes dual speaker outputs, a level‑controlled line out for recording or live mixing, and an ultra‑transparent effects loop. It’s a versatile, touch‑responsive powerhouse built for real‑world volume and serious tone.

The Marshall DSL100HR delivers the full force of classic and modern Marshall tone in a versatile 100‑watt tube head built for everything from bedroom practice to full‑stage volume. Its two channels (Classic Gain and Ultra Gain) each offer two modes, giving you everything from sparkling cleans and vintage crunch to aggressive OD1/OD2 saturation. Per‑channel Gain and Volume controls, a refined EQ section, and a dedicated Resonance knob let you sculpt your sound with precision, while studio‑grade digital reverb adds space and depth. High and low power modes make it easy to achieve cranked‑amp character at manageable volumes, and the Softube‑powered emulated line out provides authentic 1960‑cab tone for direct recording. With an effects loop and included footswitch, the DSL100HR is fully gig‑ready.

The Hughes & Kettner GrandMeister Deluxe 40 is an incredibly versatile all‑tube head designed to handle any style, from smooth jazz to crushing metal. Powered by Deluxe Tone Technology, it delivers a huge palette of tones that can be saved to 128 onboard presets for instant recall. Adjustable wattage, from 40 watts all the way down to silent operation, lets you achieve cranked‑amp character at any volume, while the built‑in Red Box AE provides authentic cabinet‑emulated output straight to a PA or DAW. Modulation effects, digital reverb, and an adjustable noise gate make shaping your sound effortless. With Tube Safety Control, an improved FX loop, iPad remote control, and an included gig bag, the GrandMeister Deluxe 40 is ready for stage, studio, and everything in between.

The PRS Archon is a powerful 2‑channel amp whose name comes from the Greek word for “ruler,” and it definitely lives up to it. Its design uses five gain stages before the master volume, giving the lead channel enough range for classic rock, modern metal, and everything in between. The clean channel stays clear and rich even at high volume, making it great for pedals and players who want lots of headroom. Two 6L6 tubes provide a full, articulate voice with smooth highs and tight lows. Each channel includes volume, treble, middle, bass, and master controls, plus a bright switch for extra sparkle. Global presence and depth knobs shape the high and low end, adding dimension and punch. Overall, the Archon 50 offers strong gain, excellent cleans, and flexible tone shaping for many styles.

The newest Bogner Ecstasy 3534 keeps everything players loved about the 35‑watt version but adds a stronger 50‑watt power section, fresh styling, an improved effects loop, and a more open, less‑compressed feel. This 3‑channel amp gives you plenty of control, including a global Presence knob, a 3‑way Excursion switch, dual 3‑band EQs, and per‑channel Pre‑EQ options. You can move easily between clean, bluesy, or high‑gain tones using its four footswitchable sounds. A built‑in boost, line output, and op‑amp‑buffered loop add even more flexibility. Even though it’s compact, it delivers serious punch and stage volume. The 50‑watt model also matches the tone and vibe of the 100‑watt Ecstasy, complete with classic looks and the signature Bogner sound.

ENGL has a long reputation for building reliable, high‑quality amps, and the Ironball 20W Tube Head carries that tradition forward. Even though it’s small, this 2‑channel amp delivers a huge sound, offering 20‑, 5‑, and 1‑watt settings plus a Speaker Off mode for silent use. The clean channel moves easily from bright, clear tones to light crunch, while the lead channel delivers the high‑gain sound modern players expect. A universal 3‑band EQ, Presence control, and Lead Volume knob give you plenty of tone‑shaping power. You also get a Gain Boost switch, footswitchable reverb and Master Volume Boost, and a buffered effects loop for time‑based pedals. A headphone jack and balanced line output make it great for practice, recording, and direct setups.

The Bogner Helios 100 is built to capture the fire and feel of a classic Plexi, delivering high‑octane tone through its aggressive 2‑channel design. Two separate inputs shape the amp’s character: the Plexi input provides vintage‑style gain on channel two and an ultra‑clean channel one, while the Hot input adds a hot‑rodded gain structure with a clean‑to‑Plexi range on channel one. A 3‑way voicing switch offers bright, dark, or hyped tones, and an EQ bypass unleashes the raw preamp signal for maximum punch. The tube‑driven effects loop includes a return‑level control and can double as a footswitchable gain boost when patched internally. A rear‑panel bottom switch tightens or loosens the low end, helping you match the amp to any cabinet and dial in the perfect amount of punch.

The Orange Dark Terror is a compact tube head that delivers far more power and attitude than its size suggests. It pushes up to 15 watts of bold, high‑gain tone, making it great for small gigs, rehearsals, and recording sessions. You can also switch it down to 7 watts for saturated sounds at lower volumes. The simple control layout, gain, shape, and volume, gives you a wide range of tones, from tight and aggressive to thick and roaring. A tube‑driven effects loop lets you run your favorite pedals without losing clarity. Built with a sturdy 1.5mm Zintec chassis and loaded with 12AX7, 12AT7, and EL84 tubes, the Dark Terror is a small but fierce amp that’s ready to unleash serious sound.

The Soldano Astro‑20 is a modern, feature‑rich 20‑watt tube head that blends classic Soldano feel with cutting‑edge flexibility. Designed by Mike Soldano, it offers three channels and four assignable Galaxies (voices), covering everything from pristine, high‑headroom cleans to searing high‑gain saturation. Its straightforward front‑panel layout makes dialing in tones effortless, while the built‑in IR loader allows fully silent operation for direct recording or cab‑free setups. The Astro‑20 pairs easily with a wide range of speaker cabinets and includes a 4‑button MIDI footswitch plus Soldano Editor software for saving, organizing, and recalling presets. For players who want authentic tube tone with state‑of‑the‑art control and versatility, the Astro‑20 stands out as a powerful, forward‑thinking amplifier.

The Friedman Pink Taco V2 brings Dave Friedman’s decades of amp‑building expertise into a compact, hand‑wired 20‑watt powerhouse. Designed to deliver everything from bluesy grit to classic rock crunch and full‑throttle high‑gain, this EL84‑driven amp responds beautifully to simple adjustments of the Gain, Master, and its new voicing switches. Handcrafted in the USA with Baltic birch construction, the combo version features a 12" Celestion Creamback G12M‑65 for the rich mids and tight low end Friedman amps are known for. Despite its small footprint, the Pink Taco V2 punches like a 100‑watt EL34 beast thanks to custom transformers and an ultra‑clear signal path. It offers harmonically rich chords, articulate single notes, and impressive cleanup from your guitar’s volume control, even at higher gain settings.

The Friedman Runt‑50 is a 50‑watt all‑tube head that gives you Friedman’s well‑known sound in a flexible 2‑channel setup. It runs on two EL34 power tubes and four 12AX7 preamp tubes. The clean channel has volume, bass, treble, and a three‑position bright switch, letting you move from clear, sparkling tones to light blues or country grit. The overdrive channel is the main attraction, taking you from classic rock to heavier styles, with a Boost switch and Gain control for shaping your drive. A global presence knob adjusts the high end. You also get a cab‑sim XLR out, a transparent effects loop, and a pedal‑friendly design. The strong Baltic birch head shell is built for real‑world gigging.

The Friedman JEL‑50 captures the fire, finesse, and unmistakable attitude of Jake E. Lee’s legendary ’80s tones in a boutique, hand‑wired 50‑watt head. Built in the USA with custom transformers, this dual‑channel amp blends Lee’s signature high‑gain voice with a refined Plexi‑inspired channel, offering everything from searing leads to classic British crunch. The JEL channel features Gain, Master, a 3‑way Bright switch, and a Hi/Lo push‑pull gain mode, while both channels share a responsive Bass, Middle, and Treble EQ. An ultra‑transparent series effects loop, rear‑panel Thump and Presence controls, and selectable 4/8/16‑ohm outputs add pro‑level flexibility. With rugged construction, premium components, and a limited lifetime warranty, the JEL‑50 delivers Jake’s ultimate tones in a powerful, road‑ready package.

The Jet Black is a wide‑open, hard‑hitting 38‑watt amp built around four EL84s, offering a fast, dynamic response that feels alive under your fingers. Channel One is bold and immediate, delivering authoritative cleans, shimmering edge‑of‑breakup tones, and smooth gain that reacts beautifully to your pick attack. The brand‑new second channel covers decades of rock tones with a punchy midrange and a flexible 3‑band EQ designed for clarity without harshness. Each channel includes its own volume and master controls, making gain staging easy at any level. Lush, noise‑free reverb and deep, musical tremolo expand its vintage‑inspired character. With a buffered FX loop, line out, multiple speaker outputs, and a two‑button footswitch, the Jet Black is equal parts rugged, refined, and ferocious.

The Blackstar HT Stage 100 MK III raises the bar for the HT Venue line with a full range of classic and modern tones. This 100‑watt, 3‑channel tube head offers everything from clean sparkle to heavy overdrive, and each channel includes two selectable voices for extra flexibility. Every channel also has its own EQ, with Blackstar’s ISF control on the overdrive channels for shaping British‑ or American‑style tones. Global Presence and Resonance knobs help you fine‑tune the overall feel. The amp also features switchable power reduction down to 10%, a smooth digital reverb with two voices, and CabRig speaker simulation with USB‑C for easy recording. An effects loop, updated boutique styling, and sturdy build round out this versatile, gig‑ready amplifier.

The Friedman Smallbox is a hand‑wired 50‑watt head built for players who want the best of both worlds: the raw, expressive character of vintage Plexi tones and the tight, modern high‑gain voice that defines Friedman amplification. Its two channels cover a huge range, Channel 1 moves effortlessly from clean sparkle to classic crunch and full‑throttle Plexi roar with just a twist of your guitar’s volume knob, while Channel 2 delivers the articulate, saturated gain Friedman is famous for. The Smallbox takes pedals beautifully, from boosts and overdrives to modulation and wah, and its ultra‑transparent series effects loop keeps time‑based effects pristine. Handcrafted in the USA with Baltic birch construction and rugged Tolex, the Smallbox packs massive tone and versatility into a powerful 50‑watt platform.

The Revv Dynamis D40 is the result of over a decade of careful development, blending classic American and British tube tones with a wide range of modern features. This 40‑watt head offers two channels, Clean and Overdrive, that cover everything from rich, sparkling cleans to saturated lead tones. Each channel includes its own EQ, Gain, and Master controls, while global Presence and Depth knobs let you shape the overall feel. Beyond its traditional tube character, the Dynamis D40 adds a Two Notes Torpedo reactive load with DynIRs, a buffered serial effects loop, 40/10‑watt power scaling, and full USB, Bluetooth, and MIDI support. It’s an ideal choice for players who love vintage tone but want the flexibility and convenience of modern amp design.

The Victory V40 Deluxe “The Duchess” is a 40‑watt, single‑channel tube head crafted for players who live for touch, feel, and dynamic expression. Its split personality comes from a unique Voice switch: Voice I captures the warm, relaxed character of classic American combos, while Voice II delivers the punchy, vintage British bite of old‑school valve heads. A 3‑band tone stack and Mid Kick feature give you wide‑ranging control, and the hard‑bypassable effects loop integrates pedals with pristine clarity. Tube‑driven spring reverb and tremolo add lush, authentic vintage ambience, while a 7‑watt low‑power mode brings big‑amp tone to bedroom levels. With external bias points and a included slipcover, the V40 Deluxe blends boutique charm, versatility, and modern practicality in a beautifully musical package.

The PRS HDRX 20 delivers the power, clarity, and expressive feel of late‑’60s British amps in a compact, lower‑wattage format. Built around the newly documented “Authentic Hendrix” Touring Circuit, based on one of Hendrix’s own Woodstock‑era amps, the HDRX 20 captures that unmistakable blend of articulate highs, rich mids, and organic breakup. A pair of 5881 power tubes provides thick, musical response with smooth overdrive at manageable volumes. The 3‑band TMB tone stack, 2‑way Bright switch, high‑mid gain switch, and Presence control offer flexible shaping, while internally bridged channels with independent Treble and Bass volumes make blending voices effortless. A Master Volume adds modern convenience, giving players full control of power‑amp behavior without external attenuation. The HDRX 20 brings vintage inspiration and modern usability together beautifully.

The Tone King Imperial MK II head carries forward decades of craftsmanship, building on the legacy of the original 20‑watt combo that helped define the brand. This head version keeps the same two‑channel layout, offering bright California‑style cleans on the Rhythm channel and smooth, tweed‑inspired overdrive on the Lead channel. The Mid‑Bite control shapes the Lead channel’s character, while tube‑driven reverb and tremolo add classic vintage feel. One of its standout features is the built‑in Ironman II attenuator, which lets you enjoy full tube saturation at any volume without losing tone or response. With its reactive load design, the amp stays expressive from whisper‑quiet levels to wide‑open roar. For players who love vintage American tone but want modern flexibility, the Imperial MK II head is a powerful and inspiring choice.